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  <id>tag:dreamwidth.org,2010-05-11:512731</id>
  <title>Goat Notes</title>
  <subtitle>Gray Woodland, Writing on the Hoof</subtitle>
  <author>
    <name>caper_est</name>
  </author>
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  <updated>2011-11-16T06:29:05Z</updated>
  <dw:journal username="caper_est" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2010-05-11:512731:72103</id>
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    <title>Before the Second Vision</title>
    <published>2011-11-16T06:29:05Z</published>
    <updated>2011-11-16T06:29:05Z</updated>
    <category term="three katherines of allingdale"/>
    <category term="revision"/>
    <category term="thanks"/>
    <category term="writing"/>
    <category term="meta"/>
    <dw:music>There, I've Said It Again - Sam Cooke</dw:music>
    <dw:mood>refreshed</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;br /&gt;First and foremost, thanks to everybody who has offered comments, encouragement, or simple patience with my constant progress-spamming to my journal over the past couple of years.&amp;nbsp; &lt;em&gt;Killer-Kate and Luke Lackland&lt;/em&gt; is probably the hardest project I've ever completed, even in the limited first-drafty sense, and I don't think I could have done it without being able to talk about it a lot to people who were not me.&amp;nbsp; The blogging also made me think twice about everything I'd written, and forced me to understand its successes and failures at a much more conscious level as I went along. &amp;nbsp;This ought to stand me in good stead during the revision process.&lt;br /&gt;&lt;br /&gt;Secondly, I'm already starting on the revision reading and planning, and about this I'm going to blog in a slightly different manner.&amp;nbsp; Even if I could do detail without killing spoilery, I can't imagine anybody's finding any entertainment in the tedious technical necessities of the Blue Pencil's Progress.&amp;nbsp; But because talking has proved so good for the work so far, and because this revision is such a big job, I'm going to be offering something a bit different. &amp;nbsp;Taking each layer of revision onion-wise as I hit it, I'm going to take as a point of departure &lt;em&gt;the kind of stuff I need to be doing in it, &lt;/em&gt;and write a short essay to get my thoughts in order about what that aspect of revision means to me, and why that sort of change is important and/or dangerous or whatever, and how it relates to the sort of books I actually like to read.&amp;nbsp; Comments will, as ever, be more than welcome - this process is going to be much more about public subjects than most of what I've been posting up until now, and less about my unpublished MS in particular.&lt;br /&gt;&lt;br /&gt;We'll see how that works out shortly.&lt;br /&gt;&lt;br /&gt;The first question I need to answer, before any others, is the highest-level one possible:&amp;nbsp;Now that the story is finished, &lt;em&gt;what kind of a story is it?&lt;/em&gt;&amp;nbsp;&amp;nbsp; Because I'm not the first story-teller, nor will be the last, to write something that has ended up a very different line of yarn to the one they began spinning in the first place. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=caper_est&amp;ditemid=72103" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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