She Who Had Voice, Let Her Have Spoken!
Jul. 5th, 2011 04:56 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
caper_estFollowing on from Nicola Griffith's Russ Pledge post in June, and the ongoing discussions about the literary invisibility of female authors* -
Since the end of May, guestblogger Anna at Echidne of the Snakes has been posting a Sunday series on A Literary Canon of Women Writers, beginning with Enheduanna of Ur (23rd century BCE). She's now reached the thirteenth century, featuring the distinctly SF-friendly troubadour Marie de France. The scope is global, the detail often considerable, and the vast majority of its subjects previously unknown to me. But not, by any means, unknown to the literary communities of their day. Highly recommended and a big eye-opener. I'd be interested to hear other people's responses to it.
Echidne's archiving system is somewhat peculiar, and I can't find any way to link to the latest post directly, but it is easily found by a little scrolling down. Direct links to all previous posts are provided at the top of the new one - though, because of said archiving system, they may initially appear not to be taking the reader to the post specified, even on broadband. But a few seconds' wait will hit the target.
* I began to write 'women authors', before realizing that this required me to be cool with the phrase 'men authors', which scrapes fingernails down the slate of my soul. Though not as much as those charmings who freely refer to groups entirely composed of humans as 'males', 'females', 'whites', 'blacks', 'olds', 'youngs', 'clevers', 'stupids', 'sicks', 'healthies', and all those other adjective nouns which they deploy with impartial style and elegance.
Since the end of May, guestblogger Anna at Echidne of the Snakes has been posting a Sunday series on A Literary Canon of Women Writers, beginning with Enheduanna of Ur (23rd century BCE). She's now reached the thirteenth century, featuring the distinctly SF-friendly troubadour Marie de France. The scope is global, the detail often considerable, and the vast majority of its subjects previously unknown to me. But not, by any means, unknown to the literary communities of their day. Highly recommended and a big eye-opener. I'd be interested to hear other people's responses to it.
Echidne's archiving system is somewhat peculiar, and I can't find any way to link to the latest post directly, but it is easily found by a little scrolling down. Direct links to all previous posts are provided at the top of the new one - though, because of said archiving system, they may initially appear not to be taking the reader to the post specified, even on broadband. But a few seconds' wait will hit the target.
* I began to write 'women authors', before realizing that this required me to be cool with the phrase 'men authors', which scrapes fingernails down the slate of my soul. Though not as much as those charmings who freely refer to groups entirely composed of humans as 'males', 'females', 'whites', 'blacks', 'olds', 'youngs', 'clevers', 'stupids', 'sicks', 'healthies', and all those other adjective nouns which they deploy with impartial style and elegance.
